Thursday, June 6, 2013

Muley the Mule in "The Red Mullet Movie"

We were doing some work here and started talking about one of the places where Muley has shown up in other projects. 

Well, most recently, and mentioned in an earlier post, Muley appeared in the Moth and Ethan comic strip by Andrew Chandler.

Before that, our friend Greg Cravens at Hubris Comics was kind enough to give a shout out to Muley on the sportsy website.  Be sure to give them a visit sometime if you haven't already.


But, let's back up to Andrew Chandler for a moment.  He got connected with cartoonist (and artist extraordinaire) Jay Chuppe about Chuppe's The Red Mullet.   So enraptured by this character, Andrew created (not only a costume but also) a fan film, sort of a documentary about the life of The Red Mullet.  Mostly improvisation and shot on location by us with Andrew, this fan film has arrived with much acclaim around the ... globe?  Anyway, we were happy to take part and for Muley to guest appear with The Ninja, SuperKid, and Super Soup as part of the R.C.A. (Reasonable Civilian Assembly).



You can catch Muley in the film's trailer by watching this:
 


To see even more Muley in "Mullet Action", you can purchase the movie by clicking here.

See you in the skies.

 

Sunday, May 12, 2013

Feed Me (Git It)! - Little Shop of Horrors - My Obsession

Maybe because it beckons back to a soulful sound from STAX's days of recording original music, but I don't know what it is about this one song from a whole movie musical directed by Frank Oz, starring Rick Moranis, Ellen Greene, Steve Martin, and so many others with so many songs sung throughout.  What was it with all those characters and songs that made Feed Me stick?  Heck, in 2005 Feed Me was so embedded in my mind that sometimes it was the only song that kicked in (especially when I'm eating). 

A recent photo of me with my Audrey II.

There was one period of time when I could ABSOLUTELY not get the song out of my head.  It was in there when I woke up and went to sleep, it was there when I was at work, when I was at home, watching other shows or movies and listening to other songs.  I was either subconsciously obsessed by it, or it was just so ear-bugged in my ear that I was totally caught up in it.

Therefore, I decided, if I constructed the puppet of Audrey II then maybe it would go away.  I got two large 4" cushion foam pieces and carved the upper and lower piecesw of the pod from that.  I carved the pods with a sharp knife and scissors.  The interior of the mouth I pulled out, pinching the foam bit-by-bit until it took a form that I wanted it to have.  Including the tongue, I picked it out around the area that the tongue would be, and left it as a part of the bottom part of the pod.  I painted the pods with really watered-down acrylic and a piece of the leftover sponge (which I still use when painting sometimes).  The teeth were torn from white pieces of foam (and have yellowed since).  I used fake flower leaves for the remainder of the pod after I made a mouthplate so the two pods were stuck together and created a puppet.  (The different uses of the puppet follow).

I couldn't get that song out of my head still, so I decided I had to perform it.  One of my friends, Lin Workman, directed me and a buddy named Tim Brown, through the song that we planned to perform at Mid-South Con's costume and masquerade contest.  So, during the day, I walked around with the puppet, and that evening the costume went to Tim and I dressed all in black for the performance which Tim's wife, Traci, recorded for us.

That performance resulted in something pretty awesome.  First, nothing like this had ever been done at the convention before.  Second, you can tell from the audience reaction, they've never had a musical brought to them before much less with such a well-trained voice as Tim's for when he begins singing they are completely taken aback and applaud with wild fervor.  I think it changed how people performed during that contest from then on (before were people in costume monologuing).


March 2005 Mid-South Con Costume & Masquerade Contest
Click to see us perform "Feed Me (Git It)"
It had two different stems:
I could reach in from behind the pot and use the plant as a walk-around, and could come up from through a table, and perform the pod. The other arm from the red coat had a fake arm and hand under it.  And, yes, all my fingers (even on the fake hand) had Band-Aids on them. 


Me in the Walk-Around Audrey II Costume.
Or, a thinner stem behind which I could stand and perform as shown in this video which, in a cool way, someone has added us to their playlist of videos that they call "Awesome Audreys."


MptLvr on Youtube.com added us as 15/15 Awesome Audreys! Thanks!!
By the way, at the convention show, there were no microphones.  So, they put in the CD we had for Feed Me, and we had to scream the vocals out for everyone to hear it.  Needless to say, the Audrey II voice was painful, but I did it.  Why?  Because I love it.  And we performed it with all the gusto and the heart that the characters originally had in other stage shows and, hopefully, the movie. 

On a sad note, one of the three panel judges was Michael Sheard who performed Admiral Ozzel in the Star Wars: The Empire Strikes Back and, as a joke, when Audrey II sang the line, "..a lot of folks deserve to die!"  I had Audrey II look at him (he died in the film).  However, he passed away in August 2005.  Since then, I don't look at anyone when singing that line!

One thing of note, after posting the video (which we did for fun) we got some negative feedback from people who aren't creative other than to post some "how to play this video game" videos--nothing of their own.  So, poo-poo on them; but, to answer the one statement I hear most:  The size of the plant is wrong.  Correct!  However, with all the Muley stuff I have going on there is nowhere for me to store/keep a 4' x 3' x 3' plant in my house (although it would be cool)!

So, after all of that back in 2005, what about that song that was so stuck in my head?  Well, it's in there but now with the catalog of other songs I love and doesn't overcome me as much as it once did back then.  Yet, when I'm hungry, and when I'm waiting to be served, I keep thinking ...

FEED ME!

You can find the music here or here.

Anyway, if you're a theater local to me, I would LOVE to be 'on hand' to help train your puppeteers and perform the voice of Audrey II in the play.  So, am I for hire?  Yes.  Gimme a call...and I promise never to look at you singing that one line.
.

Friday, April 26, 2013

Post Audition Update - The Muley and Friends Show

Keep an eye out soon for a new website to be announced for just the show; in the meantime, here are some photos of the days' eventful auditions where we had the chance to meet many cool, talented people!

The entrance to the audition hall, followed by a
check-in table.

Walk this way!
 
STOP! These are your next updates about what
you will be doing next.

Large copies of the script for studying the roles of Human or Puppeteer.
(Still not sure why "puppeteer" isn't considered "human"?)

Cue card, camera: View of the auditioning participant.

A boom mike over your head to pick up what your saying.
Never chew gum during an audition with this boom at loom
over your head--it gets picked up.

Auditions happened in front of this curtain.  You can see the
puppeteer stools here.

Wide shot of the audition hall.

Another view with Muley and Gang waiting to begin.

Several hours later, we're exhausted!

The cast waits for more participants.

Jason Negen and Martheus Wade guard the critters...

Andrew Chandler listens in on a conversation,
while Roy Duck does not (apparently, ducks
don't have ears...)

Production Manager Brad Alsobrook discussing
the magic and wonders of bacon...
 

Sunday, April 14, 2013

"The Muley and Friends Show" (TV) Announcements

"THE MULEY AND FRIENDS SHOW"
ANNOUNCEMENT

We are proud to announce the pre-production work for a television show for Muley the Mule and Friends, based loosely on the comic strips and featuring the puppet versions of the 6-year-old characters in new adventures that, if you pay close attention, might teach you something.  The program will be directed at families, using stories and entertainment to bring everyone together to laugh, cry, learn, and connect with one another.

There are also plans to do a Christian-based version of the show for a Christian-themed television network as well.

I am interested in participating with the show.  How can I help?
Writers, puppet builders, set designers and construction, costumers, etc., should e-mail all their contact information including a PDF and photos of their work to muleytmule@hotmail.com.  Be sure to list "Muley and Friends Show" in the subject line so the e-mail does not get deleted.

AUDITIONS

Additional information follows the poster.  Please feel free to copy and paste the poster which follows.

Auditions will be held April 14, 2013, at First Congregational Church, 1000 S. Cooper St., Memphis, TN 38104.

MAPS BELOW THE POSTER.

We are looking for all ethnicities and ages of male and female adults and children to perform recurring human roles on the show as supporting cast to the puppets, as well as puppeteers ages 18+.  Some of the human characters will make one-time appearances, most of the kids on the show may not have speaking roles and be there to compliment the characters while other kids will have speaking roles.  The puppeteers will be expected to be "on hand" to support the lead performers as well as handle background puppet characters and in some cases help develop new characters.

 
 


I am interested in auditioning, what do I need to do first?
The best first thing is to get to know the characters.  You can read all their biographies by clicking here.  You can also see videos by clicking here.

Next, we want to get to know you a little in advance.  Please put "Muley and Friends Show" in the subject line of an e-mail to muleytmule@hotmail.com letting us know you are interested with your headshot, performance resume, links to any video performance you may have online, and let us know if you are auditioning for a human role or puppeteering role on the show.

What do I need to expect when I come to the audition?
The person auditioning will check-in (print his/her name on the evaluation form, get his/her photo taken, and wait to be called in).  We are going to video record all auditions, so you may wish to have a prepared monologue or song, but expect after your introduction and presentation to perform with Muley and his friends.  The auditioning puppeteers will have the same process; but, will mostly have his/her hands in the air for a bit of time to see how the puppetry will be performed.  Auditioning puppeteers are invited to bring along their own puppets for the audition*, and we will also have a pair of "eyes" the auditioner can use for the event.

Scripts for the auditions are below the character charts.

As a review of skill, puppeteers will be asked to recite the alphabet, zero through 10, and some names before working with Muley and friends.  All auditioners will have some improv with Muley and friends to test how natural he/she can be with the characters.

Information that will be requested on your Evaluation Form:
Name, Address, E-mail Address, Phone Number, Age/Date of Birth, Hair Color, Eye Color.

Performers will be evaluated based on:
Look for the show, actions, facial expressions, interactions with actors/puppets, believability, preparation, voice tone.

In the meantime, to understand the characters better, here is a character chart and our "Secrets of Puppetry" handout.  These can be right-click/saved to your computer to see the full-sized images.

You can learn more about the characters from this character chart.

This hand-out will be a good reference for
those wishing to audition for puppeteering roles.

HUMAN AUDITIONS SCRIPT (2 PAGES)


PUPPETEER AUDITIONS SCRIPT (2 PAGES)



*Don't have your own puppet yet?  You can make one using a pattern from http://www.projectpuppet.com and can find plenty over the internet (usually on ebay).

The performances and participation for the show will be on a volunteer basis at this time (no budget yet).  The audition video will be property of Kevin L. Williams Productions. 

 

Tuesday, April 9, 2013

When Dinosaurs Ruled...the...Bible...

There are always great ways to participate with sharing the great stories of the Bible, and Andrew Chandler has created a bit of a hilarious time-warp in having his own Moth and Ethan work though a period of time in which  Noah is loading his ark and getting ready for the big flood.

But, the funny thing about comic strips is that those time-warps just keep on happening!

Muley the Mule and Missy Mule make a surprise visit during the one year celebration of the comic strip's online presence, and I hope you'll get over there and visit our dinosaur friends.  Click here to go see what kind of trouble those two have caused.

And stick around here, too, because I think Roy Duck will have some cool news to share before too long about his pal Andrew. 

Friday, March 15, 2013

Two Caricatures - Di Anne Price

As we're looking through different things, we're finding  more wonderful items to share.  Both of these drawings were in the same sketchbook from 2006.  The first one is from a club in Memphis; the other is from The Vault.  Enjoy!




 
 
 I wanted to share the lyrics of her final song from her sets: "I love being here with you":

I love the East, I love the West
And North and South, their both the best
But I only want go there as a guest
'Cause I love being here with you

I love the sea, I love the shore
I love the rocks and what is more
With you there, they'd never be a bore
'Cause I love being here with you

Singing in the shower, laughing by the hour
Life is such a breezy game
Love all kinds of weather, long as we're together
I love to hear you say my name

I love good wine and fine cuisine
And candle light, I like the scene
But baby if you know what I mean
I love being here with you
I love being here with you

I like a dance by Fred Astaire
And Brando's eyes, Yul Brynner's hair
But I think to tell you's only fair
That I love being here with you

And Cary Grant, oh do-dah-day
His utter charm takes me away
But don't get me wrong, how do you say
I love being here with you

Basie's band a-swinging, I like Ella's singing
Because there's something else, you know
They know how to say it, they know how to play it
They wind it up and let it go

I love the thrill of New York shows
I'd love to kiss Durante's nose
But I'd like to say before I close
That I love, and is love, I love being here with you

Di Anne Price and Muley at the Vault (2007)

While prepping for our memoriam yesterday, we found some video footage from the interior of a club (which is why it's a little dark) called The Vault on Highland in Memphis, TN.  One of the neat things about going to see Di Anne Price perform is that if she thought it was fun, she'd do it.  We'd talked before and she said I should bring Muley over at some point, so I did, and this was the outcome.

While there is another video online of Muley singing "When You're Smiling" and "Fly Me to the Moon," this video offers an alternate version of "When You're Smiling" along with "Sweet Home Chicago" in which Muley does some pretty rotten math, other than to say, "1 and 1 is 2, 2 and 2 is 4, I love this woman right here, she's the one that I adore!"  Yep, Muley, Kevin, and so many other adore Di Anne.

Di Anne performs piano assisted by Captain Phil McGee on Saxophone, and vocals (?) by Muley the Mule.  It was a fun night!  Then again, any time with Di Anne was fun time!


Click the image to see the video.
Videography by Lin Workman.

Thursday, March 14, 2013

The Sky Is Crying: Di Anne Price, a Memoriam

Our lives are full of comings and goings, and one of those who came into my life, Di Anne Price, was a joy to me.  I feel I happened to have met an angel in my life with her as a friend because it was truly a blessing from Heaven to have had her in my world.

With Di Anne at Itta Bena.
I don't know how the story starts, or rather what year the story starts, but there is a start of which I'm proud to have been a part of.  You see, I heard some beautiful ivories being tickled in the second floor level of a Victorian Village piano bar called Cielo's (now Mollie Fontaine's) off Adams here in Memphis, TN. 

I made my way up the stairs and there on the second landing was this woman, cigarette hanging out the side of her mouth as she plays the piano in the darkened area and belting out the blues.  I made my way around to the side of the piano and stood to listen which gained a smile from her and a nod.  I watched those talented hands move across the keyboard as some of the most beautiful blues were falling all around me.  There was someone sitting on the bench with her, but at the end of the song they excused themselves.  I applauded the song, and she invited me to sit on the bench with her and I did.

And I am glad I did, that moment forged a friendship with a lady who always said, "If your mama ever don't want you, I'll take you."  And before I left that night, was told, "You're one of my babies!"  And being one of her babies was a great honor from that first time to present and in the future as well.

You see, my heart broke quite a bit when terrible news came to me today as I learned that I've lost a friend from this level of existence and onward to the next:  Di Anne Price has passed away.  (By the way, typing through tears is a hard thing to do!)  The news shocked me, and I ran from my office out to my vehicle and began calling her numbers over and over and over again, finally leaving a message through my tears, "Di Anne, I heard a horrible rumor.  Please be okay.  Please call me back."  I contacted one of my friends I met through Di Anne and she affirmed the unreal news was real.  I felt my heart crack.


Let me tell you what you've missed out on if you aren't familiar with her:
She's the type of performer who isn't holier than thou--she's one of us.  She is a welcoming performer, inviting you to sit on her piano bench with her for conversation.  She is a performer through and through, but while she's playing her music and singing, in between the verses she has conversations with everyone (maybe smoking, maybe sipping a drink), and introducing strangers to one another and spreading the love and making friends out of folks who've never met before. 

She's a person who meets you once and knows your name forever, and when she's known you a while calls you her "baby," because she never had one of her own.  Which would be fine with her because those of us she adopted numbered way many more babies than she could have had on her own!  And every one of those babies loved her dearly because of how personable she was. 
 
She always greeted you with a smile, would sing a song she knew you loved, introduce you to others, and tell them why she was proud of you.

She's a versatile performer and plays blues, jazz, country, rock, soul, R&B, gospel, classical....you name it she could do it.  "Will you sing Etta James' At Last?"  "No, but I'll sing Di Anne Price's At Last."  Why?  Not that she couldn't do it, but why do it in their style when she has her own style.  Her own sound.  Nobody can play or sing the way she could--that was her OWN style.  And it was perfect, so there was never any need to do it in someone else's style.

At The Vault on Highland.  Here, she used to have banana split
parties for us.  Muley performed with her at that piano quite
a few times.  That was fun!  I think she liked "When You're Smiling"
because Muley would tell his really dumb jokes, and she would
laugh and laugh--a beautiful sound to hear.
But, what did she mean to me?  Well, we both talked forever and wanted to work together forever.  Sure, we sang some together at The Vault (and one night Muley took over), Mollie Fontaine's, and other places; but, our discussions went on about work between her and Muley.

2007 - The Vault

In November 2012 she and I discussed that I wanted her to be in the Muley TV show and she was glad that it was going to happen and that she would be in it.  I had written notes for a script of a show to have her guest star in.  I needed to have that with her because I respect her so much!  She's a person so dedicated to her craft that she always made the date no matter the weather or her health at the time.  That dedication is inspirational and it pushes you to do all you can to match that love of your work.  I respected her for her talent, but also for that personable treatment EVERYONE got.  She had a huge love for everyone and had enough to spread that love around to everyone she knew.

She came to visit me at my office one day, and I had a plant that had died.
"What happened to your plant, baby?"
"Someone put something in it and it died."
"Why somebody want to do that?  I'm going to get you a new one."
The next day, she pulled up at my office, and came in with a new plant.
"Keep it by sunlight and water it, and it will live a good long time," and she gave me all the details I needed to know about the plant she'd brought me. 

Yeah, my 'green thumb' is still brown.

It was always the little, loving things like that which were wonderful things between friends.  Late night phone calls, helping her buy her favorite perfume off the internet, silly conversations, and song.  There was always something to let you know you were in her heart.

But, never enough ways to express that you loved her, yet when you did and bragged or complimented her for it, "I love it!  I love it!  I love YOU!"  

I appreciated her ear when I had a problem.  She would tell you advice from her life, but if she was on the job, she'd pull a song from her repertoire and if you paid attention there was advice in the song she'd just sung to you.  Sometimes, she loved to play things for fun: One night she earned her title "The Storytelling Piano Player" as she tried singing songs from all around the USA, one from every state.  We were all trying to come up with a song and when we did, she'd say, "Oh, yeah!" and she'd go right into it.  There was an enjoyment to her job, but I think really it was that she enjoyed the people who were there.  And, she always had words of comfort that she'd reiterate as she signed cd's or magazines for you:
Don't ever change - you are perfect!
I am so glad you are in my life!
You are my sweet baby boy and I love you.


Click the image to find a way to own all her CD's!


At the end of her shows, she would sing "I love being here with you."  I hope she knew that everyone of us who were there with her loved being there with her.

I can't really say enough, otherwise this will end up being one of the longest posts on our website ever.  Hopefully, you can see some of the following photos and get a grasp of what a wonderful person she was.

I've posted already elsewhere, but it can stand repeating:  Our loss is Heaven's gain as she transitions from Living Legend to Legend, leaving our world a bit silent ~ stages on which she performed will never hear as sweet a sound as a great repertoire of talent and music is closed forever and the last of her kind of performer is gone.

To see that smile once more, to feel that hug, to hear that voice...oh, what a wish!

What can anybody say, Di Anne, other than I love you?
I'm certain, knowing you, that's enough.
God speed, Mama.  God speed.

At Huey's in Midtown (Madison). She was a
staple performer there forever!
 
At The Westin Hotel. I'm certain I did something stupid by
how we look in the photo.
 
Master Replicas sent their Kermit Photo Prop Replica on a tour
of the United States, and when he came to Memphis
we had to take him to Di Anne at The Westin.
2007 - The Vault on Highland


The Levitt Shell - Overton Park. Click the image to see
her perform on Youtube.

The Levitt Shell - Overton Park

DaMarco Randle, me, Dawn Coffman, Di Anne Price - Itta Bena.


...and you shall always be in my heart.

I hope you will do some research, buy her music, and give yourself some joy in knowing her by at least that much.  There are ways to not miss out completely.

Related stories:
Fox 13 News
The Memphis Flyer
News Channel 3
ABC 24 News

 Before she passed, she did an interview with The Downtowner magazine in their My 2 Cents segment.  You can read more about her life as told by Di Anne Price by clicking here.
Article about her on "Fear of a Blank Planet."

Chris Herrington wrote about her in "The Year in Memphis Music 2013" and stated:
Remembering Di Anne Price: When I first moved back home to Memphis after college, more than a decade ago, Di Anne Price was my favorite discovery. A barrelhouse piano player and jazz-blues singer, she played free gigs regularly — at Huey’s Midtown, at King’s Palace Café, at what was then Cielo. I saw her play a lot back then. My biggest cultural regret of 2013 is that, in more recent years, I didn’t see her play as much. I took her for granted. Price died in March. If you didn’t have the privilege of seeing her live, know this: She was a brilliant singer and a performer with an enormous reservoir of charisma, heart and wisdom. Her loss still hurts, but she lives on via video (search YouTube) and on record (search out 2000’s Wild Women). Don’t just pay respect; treat yourself.

Saturday, March 2, 2013

Muley-Mini strips 3/2/2013

Hi,
Well, the flu has had me knocked out for the past week.  When I wake up, I use my phone to access Facebook or other websites, and those sites show me that folks don't know the language they are speaking (or typing), so I'm going to be a grammar cop and post a few items of interest up for a while.
This first one:  If you know your English, you will have no problem understanding this now.
Know, no, now your Engrish.

And, of course, a little snow falls and everyone freaks out.  Yes, this is the scene in our town when it snows...
We like to call it the "blizzard-ocolypse."